Post Modernism in Fashion


Post Modernism Fashion Designers

Alexander McQueen
Alexander McQueen (born London, 1969 and died in 2012) was a British designer who focused on couture garments. At aged 16, McQueen dropped out of school to take an apprenticeship at the Savile Row tailors, Anderson and Shepherd, which gave him the opportunity to improve on his tailoring and technical skills. He also undertook apprenticeships at Gieves and Hawkes and then Angels and Bermans. This enabled him to master many tailoring techniques. McQueen originally went to Central Saint Martins to become a pattern cutter, however by the end, he had a completed a Masters Degree in Fashion Design. He won the British Designer of the Year Award in 1996, 1997, 2001 and 2003. In 2003, McQueen was presented with the International Award by The Council of Fashion Designers of America and also received a CBE. By 2007, he had opened boutiques in cities across the world, including Las Vegas, New York and Milan and celebrities such as Sarah Jessica Parker and Nicole Kidman were wearing his designs on the red carpets from LA to London.

I think this tailored jacket entitled ‘Savage Beauty’ conveys Post- Modernism as it shows a mixture of function through the sophisticated, simple style of the jacket with the illogical, conveyed by the uses of giant antlers that break free from the shoulders. McQueen also uses real suede which is an abnormal fabric to use for tailoring and clearly shows fun through his design which all relates to Post-Modernism fashion.


Thierry Mugler
Thierry Mugler is a French fashion designer who left his hometown of Strasbourg, France, at 20 to move to Paris. Once in Paris, Mugler began wearing his own creations before a career as a freelance designer quickly became available to him. He began working with major fashion houses, after which he created his first collection in 1973, called ‘Cafe de Paris’. This collection went against tradition and unstructured fashion. It was avant-garde, feminine, sexy and urban. This style was also translated into the creations that opened his Fashion House in 1974. In 1978, Mugler was named ‘Designer of the Year’ by both the press and public and he had become a major name in the fashion industry. Throughout the 1980s, his brand was very popular and his style, collections and shows became well known.

Thierry Mugler designed this motorcycle corset as part of his 1992 Spring/Summer Collection. I think his design embodies Post-Modernism as he has taken a normal garment design that is quite simple in shape but added unpractical elements like mirrors, handles and other metal elements which isn’t a material often sued in clothing.


Victor & Rolf
Victor and Rolf are Dutch fashion designers who repurpose found materials including old garments of theirs, and create new collaged garments that often appear improvised and rushed. Their work will often convey a necessity due to the hand woven, homemade and nostalgic feel of their clothing. In 1988, Victor and Rolf showed an unauthorised catwalk presentations at Paris Fashion Week which featured models in oversized garments stuffed with balloons. This created abnormal silhouettes, much like that of a mushroom cloud that emphasised certain features of the models. After this was featured in Time’s Picture of the Week, Victor and Rolf were drawn into the limelight. This pair often consider the catwalk to be an experiment rather than a showcase and so they will therefore combine theatrics within their shows. In 1999, ‘Russian Doll’ was presented where model Maggie Rizer was engulfed in layers of dress in front of the audience, until she became immobile like a wooden doll. Their designs are often unwearble, however in 2006, they teamed up with H&M where they created a colourful high street collection.

I think this design relates to Post-Human as it is a ‘normal’, logical dress but is paired with elements that are abnormal and unpractical, such as the violins. These make the garment have less function yet are fun and go against the traditional materials and elements of a dress.