Art Deco

Art Deco


The Tate describes Art Deco as ‘a design style from the 1920s and 1930s in furniture, decorative arts and architecture characterised by its geometric character’. This style came after WW1 as the war brought an end to the Art Nouveau style. Art Deco affected fashion, art, decorative arts and graphics. The three things commonly seen in Art Deco are nature, the female form and a relation to machines as they became more popular due to the cheaper goods being produced. This movement also embraced other new inventions like fabric, including nylon and rayon.

Characteristics of Art Deco

Common Shapes in Art Deco
          -Geometric
          -Cultural Influences
o   Egyptian
o   Chinese
o   Japanese
o   Aztec
o   Mexican
o   African
          -Highly Commercial
          -Industrial Design
          -Lack of perspective- flat

Art Deco massively impacted fashion. Before the 1920s, the main item of clothing women wore was a ‘Mutten Dress’. This consisted of a corset (but not as tight as the Victorian Era) undergarments, narrow sleeves to the elbow, elaborate shoulders and lots of jewellery, all in an hour glass shape. However, this changed during the 1920s, with the dresses having no waist suppression or a dropped waist line, no corset, little shape, Aztec, geometric patterns and shapes and an overall simplicity as it was paired with gloves, beads and feathers. The look was very androgynous and became cheaper because it was the start of ‘Off the Peg Fashion’. The 1930s brought back more shape and made the bust more prominent. This period also brought in the influence from Hollywood/ Movie stars.

Who
Designers
       - Coco Chanel
       - Clarice Cliff
       - Susie Cooper
Artists
       - Cubism (Picasso/ Braque)
       - Futurism (Marinetti)
       - Surrealism (Duchamp/ Meret Oppenheim)


Coco Chanel
Fashion is not something that exists in dresses only. Fashion is in the sky, in the street. Fashion has to do with the ideas, the way we live, what is happening."
Coco Chanel grew up in an orphanage which is why her designs are usually in black and white. Her idea of the ‘Little Black Dress’ was simplicity and to be non-discriminating. She hated corsets and embraced flapper dress and liked to take influence from men’s clothing as she thought it was practical. Chanel was the first to use jersey as it is flexible, durable, has lots of movement and absorptive. She used it for everyday wear which was shocking as silk and lustrous, expensive materials were commonly used for these types of designs. Coco Chanel was the first designer to create a Fashion House as she didn’t only focus on one aspect of fashion, which made her designs accessible for most people. She also created bracelets, earrings, watches, rings, perfume, make up and handbags.


Susie Cooper
Cooper was the first woman maker and designer in pottery. She hand-painted her pottery with geometric shapes then factory produced them using slip in cast which meant that her work could be brought by the masses.


Clarice Cliff
Cliff used basic pottery shapes which were clean yet angular in appearance and then decorated them in vibrant colours along largely geometric patterns. She was influenced by Mexican art but mainly Japanese art due to the flat perspective which was easier to mass produce and standardise. Cliff didn’t make the pottery but used spares to design on until her boss, who she had a relationship with, allowed them to be sold.


All these definitions are from the Tate:

“Futurism was an Italian art movement of the early twentieth century that aimed to capture in art the dynamism and energy of the modern world”

Cubism was a revolutionary new approach to representing reality invented in around 1907–08 by artists Pablo Picasso and Georges Braque. They brought different views of subjects (usually objects or figures) together in the same picture, resulting in paintings that appear fragmented and abstracted”

Surrealism was “a twentieth-century literary, philosophical and artistic movement that explored the workings of the mind, championing the irrational, the poetic and the revolutionary”